The charming film places"art" and "art" of artificial Intelligence

How do you combine the power of an AI image generator with Lillian, an elderly woman with 98 years called Lillian, and Harry Potter? The result is "HAIRY POUTER." A short-form film by director Chris Carboni. It incorporates ever more whimsical AI-generated imagery, and a commentary on the classic novel from the hilarious nonagenarian.

"Lillian is my grandmother," claims Chris. "She as well as I have enjoyed a great relationship , and I've recorded her reviews for a period of 10 or more years."

When AI images generators first started dominating the web around the time of the year 2022's midpoint, Chris saw the stars meet to create a new venture which could benefit from his years of audio and aid in understanding the relationship he has to this technology. "I experienced mixed feelings regarding these generators[and] I was looking for an opportunity to find out more about these machines," explains Chris. "At that same moment, I was talking with my grandmother who had just completed reading Harry Potter,' which I purchased to present her with a birthday gift."

The film was put together because of the fast team "my grandmother, along with my wife and me along with the sound designer and composer which was the whole team" The rest will be (futuristic) the tale of. Thanks to the capabilities of AI continue to evolve in a rapid pace. caught up with Chris Carboni for a chat about all things art and artificial intelligence.

The image of this video is amazing. What were the tools you used in order to bring you these outcomes?

Chris Chris: We utilized MidJourney at the time it was its first version. The first step was to enter the text of Lillian's interview without editing , and then examining the output it generated using the only quotations from the interview. We loved the aesthetic way it came up with after only two rounds of making new images. Therefore, I had written down the characteristics of the aesthetic direction founded on the image that it had created.

The first thing we were shown was Ron with his really wafting hair. It was incredible. It appeared to be a little shoulders raised but he did not wear any kind of shirt. He looked like it was some kind of beach-god. Then, when we saw a shot that showed Harry and Ron in a group, the camera posed the two of them in a way that they were almost hugging each other and we thought "Oh it's amazing."

It was the responsibility of the AI to develop these amazing concepts, and when we found one we liked it, we pushed our AI to follow that line so that it would always be fun and easy to understand.

What was it like applying AI to this very human tale?

Chris Chris: The moment I made this film I had some level of worry [about AI]. But I certainly enjoyed working with it for this specific project. I believe that this was a good use case of the project because the use of AI was essential for the narration.

It was fun, interesting and unforgettable. This project focused on the awkward but delightful interaction between AI and humans. This was not the first time that we decided to not invest a dime in an artist and decided to make use of AI instead. This was a tale where AI was the basis of storytelling.

Do you feel you are confident about AI developing into a powerful force?

Chris Chris interesting regarding this, however it's become more difficult as these generators become widely used. They've been fully unleashed, and extended into all these various uses. So, the topic becomes more difficult that I thought it was previously according to my personal perception and understanding of the subject.

Anyone who is working in an innovative setting will need to consider the consequences of this on their work, and then adjust to the fact fact that things will likely to alter. Change brings opportunities for doing amazing creative tasks. However, it also means the automatedization that is a large part of the work that we artists admire. The thought of it makes me a bit unhappy, if I'm honest. I'm worried about how art is devalued and further commodified than it already is.

Do you think this technology could be used to help you in the near-term?

Chris Christopher: Yes, I like using AI to boost my emails and also as a personal assistant, capable of responding to questions in a way that explains complex concepts as well as completing repetitive chores. When it comes to creative tasks but, I'm still unable to understand. It is not my intention to apply the method in a manner which would substitute human talent in my team. I believe that the results aren't as impressive.

A large part of what makes our work so great is because of collaboration with other people. An entire project from beginning until the end with AI relies on the inputs generated by a mind. Certain situations may work However, the majority of instances, projects benefit from an entire team of professionals working together, each bringing their own expertise and unique perspectives to the group.

One of the most interesting uses I have seen are those that involve generating initial ideas, and kicking off the process of creating. It could be for raising funds to develop an idea, or presenting an initial idea to create something that can be built upon. But for animation it is crucial to control completely on the particulars of the scene in terms of production and aesthetic motives. The level of control is likely to be coming soon but isn't there as of yet.

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